Interactive Environments

  IN HARMONY

   APPLICATION

 

   TOOLS OF EXPRESSION

THESE CUSTOM TEXTURES REFLECT A DESIGN PROCESS IN FINDING A BALANCE AND A TRUE EXPRESSION THAT WOULD COMPLEMENT AND ENHANCE THE RELATIONSHIP OF THE ARCHITECTURE TO ITS INTENDED USERS.  IT IS WHAT BINDS FORM TO FUNCTION.  THESE SYMBOLS IDENTIFY AS BEING CHARACTERISTIC OF ITS USERS.  

TO THE LEFT WE SEE SHARP ANGLES AND A MORE PRECISE GEOMETRICAL ARRANGEMENT.  THESE FEATURES ARE KNOWN TO BE SYMBOLIC OF SEXUALITY AND REPRESENT FREUD'S BELIEF THAT THE WORLD IS BUILT ON SEXUAL DRIVES.  TO THE RIGHT WE SEE MORE OF A RANDOM ARRANGEMENT AND ORGANIC SHAPES.  THEY ARE SYMBOLS REPRESENTING NATURE AND ITS ENVIRONMENT WHICH COMPLEMENT AGNESI'S DESIRE TO COMMUNICATE WITH NATURE.  THE MIDDLE SYMBOLS REPRESENT THE SYNTHESIS OF THE TWO BELIEFS.  THE ROUNDED SHAPES SYMBOLISE UNITY BUT ARRANGED IN A RANDOM ORDER TO REFLECT THE MORE ABSTRACT NATURE OF THIS RELATIONSHIP.  THE CHECKERED ARRANGEMENT REFLECT AN INTERWEAVING OF THESE TWO DISTINCT NATURES.

  

























 







  ELECTROLIQUID AGGREGATION

 

  BUILDING BLOCKS

  EXPLORING THEMES

HYPOTHESIS: 

1.  FREUD BELIEVED THE WORLD IS BUILT ON SEXUAL DRIVES

2.  MARIA DESIRED TO COMMUNICATE WITH NATURE

CREATING AN ARCHITECTURE CONSISTING OF 3 SPACES -

A STRUCTURE MADE OF 10 INTERCONNECTED RECTANGULAR FORMS THAT WOULD HELP DEFINE THE 3 SPACES BY USING THE SPACES ON EITHER SIDE OF THE STRUCTURE AND BETWEEN THAT AND THE LANDFORM.  THIS WILL ULTIMATELY ACCOMMMODATE AND CREATE A DISTINCTIVE RELATIONSHIP BETWEEN THE CLIENTS, FREUD AND MARIA.